| Medium | : | Acrylic |
|---|---|---|
| Height | : | 35.5 inch / 90.2 cm |
| Width | : | 29.5 inch / 74.9 cm |
| Dimension | : | W: 74.9 cm × H: 90.2 cm |
This striking painting by Prokash Karmakar embodies his signature bold expressionism and vivid use of color. Executed in acrylic on canvas, the artwork pulsates with energy and raw emotion. Dominated by intense hues of red, yellow, and black, it presents a dramatic composition where abstracted human and animal forms intertwine in a powerful visual dialogue.
₹168,000.00
Prokash Karmakar | Untitled | Acrylic on Canvas | 35.5 x 29.5 inches | 2009 (Rolled & Delivered)
This striking painting by Prokash Karmakar embodies his signature bold expressionism and vivid use of color. Executed in acrylic on canvas, the artwork pulsates with energy and raw emotion. Dominated by intense hues of red, yellow, and black, it presents a dramatic composition where abstracted human and animal forms intertwine in a powerful visual dialogue. The dynamic figure of a horse, rendered in strong black contours, seems to loom over a reclining human form, creating a tension that speaks of struggle, dominance, and survival. The angular lines and rhythmic shapes lend the painting a primal vitality, while the stark color contrast amplifies its psychological depth. Karmakar’s work often explores themes of life, passion, and the human condition through symbolic imagery — and here, the fusion of man, beast, and landscape becomes a metaphor for the eternal cycle of creation and destruction that defines existence.
Prokash Karmakar’s art emerged from a contemplation of life, through the prism of personal traumatic experiences intermingled with dark moments in india’s recent history.
He learnt painting at his father, artist-teacher Prahlad Karmakar’s atelier, till the socio-political turmoil of the 1940s and his father’s early death put an end to it.
After his matriculation, Karmakar joined Government College of Arts and Crafts, Calcutta, but quit soon thereafter for reasons of poverty. In between, he designed book covers and worked as an illustrator for his livelihood; he even joined the army but absconded after two years, driven by his desire to paint.
Karmakar learnt the techniques of transparent and opaque watercolours from Kamalaranjan Thakur, a former student of his father, and Dilip Das Gupta. However, it was senior artist Nirode Majumdar—once a student of Abanindranath Tagore—who acquainted Karmakar with artistic and philosophical concepts, techniques, coherence of lines, and the breaking of form. Majumdar had recently returned from France after a stay of twelve years, and shared his rich experience with his protégé.
Karmakar held his first exhibition in 1959 on the railings of Indian Museum, Calcutta. In 1969-70, Karmakar visited France on a fellowship to study art museums, an inspiring exposure for the expressionist artist who, being ‘primarily a colourist’, began to create his figurative monochrome paintings in the 1970s. He won the Lalit Kala Akademi’s national award in 1968, and his work is part of important collections globally.
He passed away on 24 February 2014.
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