| Medium | : | Watercolour |
|---|---|---|
| Height | : | 27.75 inch / 70.5 cm |
| Width | : | 24.25 inch / 61.6 cm |
| Dimension | : | W: 61.6 cm × H: 70.5 cm |
The earthy yellow ground between the figure and the tracks heightens the tension, creating a visual divide between vulnerability and an unforgiving environment. True to Dutta Ray’s style, the composition blends realism with abstraction, and his layered washes of colour give the scene a haunting, dreamlike quality. This work embodies his ability to infuse everyday urban realities with deep psychological and social commentary, making it a poignant reflection of modern life.
₹975,000.00
Shyamal Dutta Ray | Untitled | Watercolour on Paper | 24.25 x 27.75 inches | 1994 (Unframed & Delivered)
This painting, created by Shyamal Dutta Ray in 1994, is an untitled watercolour on paper. Dutta Ray, celebrated as a master of watercolour in modern Indian art, is known for transforming the medium into one capable of profound emotional and narrative depth. In this work, he juxtaposes a solitary, weary female figure in the foreground with the stark, industrial backdrop of railway tracks and an overbridge. The woman, draped in a white sari, is rendered in delicate, fractured lines that convey fragility, despair, and exhaustion, symbolizing the human cost of urban alienation. In contrast, the rigid, geometric structures of the railway and footbridge dominate the background, painted in cool tones of blue and grey, emphasizing a sense of desolation and mechanical indifference. The earthy yellow ground between the figure and the tracks heightens the tension, creating a visual divide between vulnerability and an unforgiving environment. True to Dutta Ray’s style, the composition blends realism with abstraction, and his layered washes of colour give the scene a haunting, dreamlike quality. This work embodies his ability to infuse everyday urban realities with deep psychological and social commentary, making it a poignant reflection of modern life.
Laden with satire and wit, and often subtly political, Shyamal Dutta Ray’s work communicated his preoccupation with the human condition.
Among the most accomplished watercolourists of modern India, he was born in Ranchi, then in Bihar, and studied at Government College of Arts and Crafts, Calcutta, from 1950-55. He was a founding member of Society of Contemporary Artists in 1959, and of Painters 80, founded in 1968.
Dutta Ray suffered from severe ill-health while growing up and witnessed the horrors of the 1943 Bengal famine as a child, both of which impacted his life and art tremendously. He began his career working in oil but had to switch to watercolour on medical advice as he was allergic to oil paints. Dutta Ray became a master of the demanding medium of watercolour and brought about a major development in its application by using saturated hues instead of the diluted colours prevalent among his contemporaries. He painted the contradictory contemporary reality of Calcutta, filled with sorrow, poverty, despair, as also happiness, and hope.
The masterful depiction of pathos in watercolours won him several awards within India and abroad including the gold medal of Academy of Fine Arts, Calcutta, in 1958, the Rabindra Bharati University award in 1968, several annual awards of the Birla Academy of Art and Culture, Calcutta, Lalit Kala Akademi’s national award in 1982, and the Karnataka Chitrakala Parishath award and the Shiromani Puraskar, both in 1988. He passed away in 2005.
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| Dimensions | 27.9 × 26.6 cm |
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