Durga

Medium:Ink
Height:13 inch / 33 cm
Width:11 inch / 27.9 cm
Dimension:W: 27.9 cm × H: 33 cm

This artwork, created by Jogen Chowdhury in 2007, is an ink on paper drawing that reinterprets the traditional imagery of Goddess Durga. Executed with his signature flowing lines, the composition depicts the fierce moment of Durga’s triumph over the buffalo demon Mahishasura.

Description

Jogen Chowdhury | Durga | Ink on Paper | 11 x 13 inches | 2007

This artwork, created by Jogen Chowdhury in 2007, is an ink on paper drawing that reinterprets the traditional imagery of Goddess Durga. Executed with his signature flowing lines, the composition depicts the fierce moment of Durga’s triumph over the buffalo demon Mahishasura. The goddess, adorned with multiple arms and weapons, stands poised in strength and grace, while her lion companion lunges forward with raw energy. The demon, rendered with exaggerated facial expressions and contorted body, embodies chaos and resistance, yet is subdued under Durga’s divine power. Chowdhury’s linear style strips the narrative to its essence, creating a powerful rhythm that captures both movement and emotion. The work reflects his ability to blend mythology with modernist expression, transforming a sacred moment into a timeless visual language that resonates with both tradition and contemporary aesthetics.

Born on 15 February, 1939 in Faridpur (now in Bangladesh), Jogen Chowdhury’s family moved to Calcutta following the partition.
Chowdhury studied art at the Government College of Art and Crafts, Calcutta, and subsequently at École Nationale Supérieure des Beaux-Arts, Paris. A student of Prodosh Das Gupta, Chowdhury worked in the expressionist style of figuration in his early years. He created his own gallery of the grotesque, featuring lewd men with bellies like sacks and women with loose, hanging breasts. The Paris sojourn sharpened his creative thought process, helping in the evolution of his distinctive personal style.

Chowdhury interprets the human form through the x-ray vision of his creativity: attenuated, exaggerated, fragmented, reconfigured, and rephrased. For Chowdhury, the body has to communicate in silence. Often placing his figures against a vacant background, he does not appropriate the specificity of place or environment; instead, he transfers feelings of anguish on to his figures through gestural mark-making. His dense, crosshatched lines simulate body hair and a web of veins takes away the smooth sensuality of the classical body to manifest the textures of life.
Chowdhury believes art in India is neither subsumed in the miniature traditions nor in those of Ajanta, for India is neither a monolith nor a static entity; and that a notion of Indianness should not be fixed into some kind of timeless loop. He has been awarded the Madhya Pradesh government’s Kalidas Samman, and was honoured at the 2nd Havana Biennale. He lives and works in Kolkata and Santiniketan.

Shipment DetailsThis artwork will be shipped unframed, either in roll form or flat, depending on its requirements—at no additional cost.

If you’d prefer the artwork to arrive ready to hang, please get in touch with us to arrange framing and shipping at applicable charges.

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Additional information

Dimensions 14.478 × 19.558 cm
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